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Architecting Futures from Past Traces
Public Programme

The Micrarium, Grant Museum of Zoology. ©UCL/Martin Vickers

Across the 2023–2025 academic years, the Public Programmes team in լƵ Museums & Cultural Programmes are creatively exploringbuilding common and equitable futures from past traces.

Taking a multi-perspective, cross-disciplinary and subject-led approach to this central question, we areconsidering what it means, and the tools required to realise equitable futures through collaborative programmes.

The collections and physical spaces of լƵ Museums arecentral to this,as arepartnerships with UCL teaching and research departments, UCL professional services staff, students, families and groups who we share localities and interests with.


Thematic explorations

Each term of the academic year hasan overarching theme for exploration, stretching across the threeBloomsbury-based museums: Grant Museum of Zoology, Petrie Museum of Egyptian and Sudanese Archaeology, and UCL Art Museum.

Term 1: People and Cultures

How have people’s cultures across different geographies represented in լƵ Museum Collections come to be understood through time? What role do curators as custodians have in carrying the stories across time? How do the peoples these cultural belongings come from, and their descendants, take ownership of object histories to tell stories of indigenous knowledges?

Museum in Focus: Petrie Museum of Egyptian and Sudanese Archaeology

Replica finger cymbals. ©UCL/Mary Hinkley

Term 2: Habitats and Environments

How can we better understand the impact of our planet’s rapidly changing environments through climate change? What role do we as humans have to stem further habitat loss for animal species? Why? What actions can we take to increase the biodiversity of our local environments? Do we need to work harder to address this in urban areas? What does hopeful visioning of habitats and environments look like?

Museum in Focus: Grant Museum of Zoology

Pinned moths. ©UCL/James Tye

Term 3: Imaginary Worlds (Dreamings)

How do we maintain the capacity to dream, to hope for an alternative future different to the trajectory predicted for us through dominant, powerful voices? Can we embrace speculative imaginings of “what if?” to question current social and cultural norms? Are there art forms that can be utilised as tools for imagining new possibilities for world building? How can UCL Collections be part of inspiring hopeful futurity?

Museum in Focus: UCL Art Museum

Unisphere. Jonathan Gardner, Institute of Archaeology. UCL Doctoral School, Research Images as Art Competition entry 2014-2015. ©UCL/Jonathan Gardner


Collaborative student projects

As part of our exploration of Architecting Futures from Past Traces, Public Programmes iscollaboratingwith UCL teaching and research departments to creatively interrogate լƵ Museums’ Collections. Topics includehow we navigate physical and metaphysical space through the remnants of ancient deities, how we examine historically revered figures and the contentious legacies we’re left to grapple with, and ways of enabling better access tocollections through groundbreaking digital technologies.

Otherlands (October 2023- January 2024)

‘Otherlands: Museum for a Museum’ is a collaboration between the Bartlett School of Architecture’s Year 1 students and the Petrie Museum of Egyptian and Sudanese Archaeology’s collection displays. The playful exploration of the interplay between ancient deities in their material forms, museum space and empiricism are realised through six otherworldly installations which form a spectacular transformation of space.

Reimagining Flinderella (January – May 2024)

‘Reimagining Flinderella’ is a three-event series humorously and critically interrogating the legacy of the father of modern archaeology Flinders Petrie and the practice of contemporary public archaeology.


Family audiences

Every month we run intergenerational workshops suitable for family audiences in the Grant Museum of Zoology and the Petrie Museum of Egyptian and Sudanese Archaeology. Often these are developed in partnership with artists, educators and cultural producers.

Term 1 workshops
Term 2 workshops
Term 3 workshops

Details TBC


Partnerships formed by shared localities and interests

Global Generation

Public Programmes are partnering with based at , Somers Town to respond to matters of water-based life. The Grant Museum of Zoology’s new interpretative displays dealing with biodiversity loss and the importance of invertebrate life will form a content showcase for Global Generation’s Fellows to engage with on their terms.

Helen Bamber Foundation

Public Programmes are continuing their relationship with the Camden-based photo collective at the human rights charity to photographically explore themes of movement, homelands, language and culture through լƵ Museums’ collections and spaces, and thecity of London.


Architecting Futures from Past Traces is conceived and curated by the Public Programmes team in լƵ Museums & Cultural Programmes. If you would like to know more or have an interest in collaborating with us, please contact:

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